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The Death Defying Pepper Roux

Oxford University Press

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Synopsis
When Pepper Roux was born his aunt foretold that he would not live past 14 years of age. Throughout his childhood his parents haven’t bothered with him much, knowing that his life would be short-lived. So when Pepper wakes up on his 14th birthday he knows this will be the day that he’ll die. But as the day wears on, and Pepper finds himself still alive, he decides to set off to sea in an attempt to try and avoid death for as long as possible. As time goes on Pepper steps into many roles and personas and has numerous outrageous adventures. But can he stay one step ahead of death? Or will fate catch up with him? And, if he does live, which of his many lives will he choose to adopt? This riot of a story is a wonderful adventure, and Pepper is an unforgettable character who stays with you long after his story has been told.
 
Review
The Death Defying Pepper Roux is a delightful and whimsical book that highlights the power and wonder of imagination. Sometimes authors give us what we want and we are delighted – Geraldine McCaughrean does exactly that, and then adds more for good measure.

If I had to find a comparison in order to describe the book to a complete stranger I would immediately say Amelie. Amelie is a French film, starring Audrey Tautou, and has much in common with this book being French, magical and featuring an endearing and innocent central lead.

The individual threads of the story are beautifully woven together. This is a charming book, often surreal, always humorous but with an underlying darkness that often shows man’s – and to a much lesser extent, woman’s – inherent cruelty, often casual but nevertheless evident.

McCaughrean also has a gift when it comes to causality. The consequences of everything that Pepper says and does are shown brilliantly.

Pepper Roux is a boy that every reader will warm to. There is not a bad bone in his body and his treatment at the hands of some truly despicable adults will have readers feeling righteous indignation. As the last pages draw closer you hope that Pepper will get the happy ending that he deserves.

Philip Pullman and JK Rowling have produced books that have thrilled and delighted younger readers; books that have sold millions of copies. McCaughrean is a better author than Rowling and Pullman put together; she has a mastery over words. Please don’t think I am being uncharitable to Rowling and Pullman – their books have resulted in youngsters reading again and they both deserve honours for what they have achieved – it’s just that writers like Geraldine McCaughrean and Michael Morpurgo are masters of their craft.

This is a book I will never forget. Highly recommended for older children and young adults.

Fantasy Book Review

 
Harper Collins

McCaughrean has proven to be a remarkably versatile writer, from her Printz Award-winning White Darkness (2008) to Peter Pan in Scarlet (2006). Her latest imagines a young boy who, in unspecified mid-twentieth Century France, is told by his spiteful aunt that he'll be dead by fourteen. So, hoping to outrun fate, Pepper Roux flees his unhappy home and embarks on a series of plucky misadventures in which he becomes, among other things, the captain of a ship, a deli-meat-slicing would-be Cupid, a fact-shrugging journalist, and a reluctant Legionnaire. Nearly every episode ends with Pepper scampering away not only from the death he thinks is nipping at his heels, but also all manner of incensed people, culminating in a hectic free-for-all that ties everything together in one charming, messy bow. McCaughrean's exuberant prose and whirling humor animate an unforgettable cast of characters, from the good-hearted Pepper, who lies and impersonates without the barest inkling of consequence, to the cross-dressing steward who trails along in Pepper's chaotic wake like a clumsy guardian angel. The whole is a more whimsical, French cousin to Neil Gaiman's The Graveyard Book (2008), with a similar sort of timelessly classic feel that emphasizes the value of finding family, but never at the expense of storytelling that delights in its own joyful sense of improbability.

Ian Chipman BOOKLIST 11.1.09

Kindhearted Pepper Roux has been led to believe that “[c]hildhood was a mouse trap from which he could never expect to escape,” his death by age 14 foretold in a dream. His maiden Aunt Mireille takes it upon herself to pave Pepper's path to heaven with daily prayer, constant confession, and rote memorization of last rites. So when Pepper awakens on his 14th birthday still alive, he launches himself on a sea voyage, intent on outrunning death. Mistaken for the ship's captain (his father), he is befriended by a compassionate, cross-dressing steward, Duchesse. Creating vivid characters is just one of McCaughrean's (The White Darkness) gifts—Aunt Mireille joins Dahl's Spiker and Sponge as one of the Most Evil Aunts in children's literature. Pepper flees across the French countryside from one disastrous job to another—delivery boy, horse wrangler, deli clerk, and even journalist, which allows McCaughrean to wink at readers as Pepper complains, “Copy editors cannot read anything without changing it.” As his journey ends in a cleverly orchestrated climax, readers will root for Pepper to get the ending he deserves—a happy one. Ages 10–up.

KIRKUS REVIEW 12.15.09

 

Poor Pepper Roux (his nickname “le pauvre,” or “pitiful one,” was confused at school with “poivre,” French for “pepper”) has been waiting for death for as long as he can remember. According to his malevolent Aunt Mireille, Saint Constance had foretold he’d die by age 14, and due to his rather awful family’s quotidian reminders of this, “The days clattered down like rows of dominoes.” When he finds himself still alive on his 14th birthday, Pepper escapes, and the string of adventures and grim-reaper–dodging identity shifts that follows (from sea captain to telegram boy) comprise this laugh-out-loud funny, picaresque adventure set in early-20th-century France. British novelist McCaughrean’s frequently over-the-top metaphors mirror the delightfully implausible plot—a slapstick story salted with colorful characters both cruel and kind, anchored in the emotional reality of a painfully naïve boy who gets quite a bit wiser. The refrain—“Well, people see what they expect to see. Or do they see what they want?”—sits at the heart of this poignant, odd, wonderfully composed and vastly entertaining novel. (Ages. 12 & up)

KIRKUS REVIEW 12.15.09

 

Gr 6-9–A charming tale about Pepper Roux, whose jealous and cruel Aunt Mireille foretells, at his birth, his death at age 14. A devout Catholic, she insists that he learn Last Rites rather than nursery rhymes. When his 14th birthday arrives, Pepper runs away to sea in an attempt to stay a step ahead of death. He steps into many different lives, largely because, as the author repeatedly points out, people see what they expect to see. Pepper becomes the captain of a coffin ship, has a brief career as a journalist who will only write good news, and joins the Foreign Legion (until he realizes that he’ll have to kill people). Each role is an adventure that leaves chaos in its wake and good-hearted Pepper one step ahead of getting caught. The story is set in France and has a 1930-ish feel. While the episodic plot may not be its strongest draw, the memorable characters and lyrical prose make the novel hard to put down. Pepper, in all his endearing innocence and goodness, will capture readers’ hearts, and Duchesse, the cross-dressing steward, may be the most hilarious yet wise character in children’s literature this decade. McCaughrean tackles big issues here: families, faith, loss, jealousy, and the expectations of others. The question with this book may be one of audience: Will kids understand its subtleties and some of the references, particularly the religious and political ones? But in the hands of the right child, this novel will be savored.–

Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME SCHOOL LIBRARY JOURNAL 12.16.09

 

McCaughrean’s most recent yarn, ostensibly set in early-twentieth-century France, is a wildly improbable but thoroughly entertaining one. Pepper Roux’s aunt, devoutly Catholic and deeply fatalistic, has predicted that he will not live past his fourteenth birthday. When the dreaded day arrives and Pepper finds himself very much alive, he embarks on a madcap adventure in an effort to cheat death, but one thing leads to another and he slips in and out of various personas—ship’s captain, horse rustler, newspaper columnist, telegram delivery boy, and French Legionnaire—before confronting his fate and finding his place in the world. It’s McCaughrean’s way with language (Pepper’s mother and aunt “leaned in against [his] childhood like a pair of bookends—big, ponderous women, and so full of tragedy that they could barely hook their corsets closed”), not to mention her thematic ruminations (“Well, people see what they expect. Don’t they? Or do they see what they choose?”), that establish this picaresque tale as the latest evidence that she is one of the more remarkable novelists writing for children today.

jonathan hunt THE HORN BOOK 12.17.09

 

The Death Defying Pepper Roux by Geraldine McCaughrean

Frank Cottrell Boyce's choice

Frank Cottrell Boyce
Saturday March 27 2010
The Guardian


http://www.guardian.co.uk/books/2010/mar/27/death-defying-pepper-roux-geraldine-mccaughrean


Pepper Roux wakes up on the morning of his 14th birthday knowing he's going to die. His end has been predicted by his pious Aunt Mireille, who was given the information by St Constance in a vision. As the day begins, Pepper decides that, instead of waiting around to see what happens, he will run away to sea; and so begins a game of catch-me-if-you-can with Death himself.

Pepper hides out in other people's identities. He becomes his own father - a drunken sea captain - a telegram boy, a Carmargue "guardian", a journalist and a foreign legionnaire. He meets sailors, scamsters, prostitutes and a cross-dressing first mate. But no matter where he goes, Death is always just around the corner.

The captain's commission is an insurance scam, a leaky death ship. As a telegram boy he's mostly delivering notifications of death from the war in Algeria. On the newspaper, it's all destruction and murder. But maybe it's Pepper's enhanced awareness of Death's proximity that makes him more vividly alive than the people around him.

If that makes the book sound dark and deep, well, it does touch on dark and deep things, but then it bounces back into the light. The story travels like a brilliantly skimmed stone, spinning through the air, kissing the water before spinning off again. It has all the headlong, cocky velocity of Pepper's own escape. At crucial moments it is driven by pure cheek. When Pepper, aged 14, passes himself off as a sea captain, our narrator shrugs and says: "People see what they expect to see, don't they?"

The book harnesses all the joyous weirdness of its setting - the Carmargue, with its wild horses, improbable flamingoes and that strange, medieval space station of a town, Aigues-Mortes. But most of all it has the McCaughrean sentences. I can't think of anyone working in the English language who writes a better sentence.

Describing the way Pepper's mother and aunt dominated his life, McCaughrean says: "the women leaned in against Pepper's childhood like a pair of book ends - big, ponderous women so full of tragedy they could barely make their corsets hook up".

The newspaper where Pepper works is a silo where "he hopes the words will close over him like grain and hide him from sight". I don't know how long it takes her to write these but they whistle past your ear like bullets and leave you tingling with pleasure.

McCaughrean has had a brilliant career. She has won the Whitbread three times, and the Carnegie. She was chosen to write the official sequel to Peter Pan. If she doesn't have the high profile you'd expect, that may be because she doesn't repeat herself, and so has not become a brand. Like Pepper she takes on a different identity for each book.

She's written masterly stories about the medieval theatre, the coming of the American railways, and Antarctic exploration. The one thing you're not expecting from someone who has achieved so much is for her to raise her game. But that's what she has done. I think this may be her best yet.

The publisher's blurb compares Pepper Roux to the movie Amélie, largely because they're both set in France. This is like comparing the siege of Stalingrad to the Eurovision song contest because they both involve Russians and Germans. Pepper Roux is much funnier, much more stylish and much more profound. If you want to compare it to something else you could try Borges or Garcia Márquez.

Frank Cottrell Boyce's Cosmic is published by Macmillan.

 
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January 19 2010